Photo Projects

Sanctum, 2025

Sanctum examines the gardens of the City of London that sit on the sites of churches destroyed during the Great Fire of 1666 and the Blitz of 1940–41. Rather than rebuild, several of these sites were reimagined as public gardens, where elements of original masonry remain and planting and design subtly reference the lost architecture. Writing in 1945, architect Sir Hugh Casson observed that the bombed churches of London possessed a “strange beauty,” precisely because their damage remained visible. He warned that if all war damage were rebuilt seamlessly, “the ordeal through which we passed” might lose its physical presence, and with it the record of collective experience. These gardens retain those visible scars, with planting introduced within the ruins. Across eight sites, the photographs explore the relationship between plants and stone, history and renewal, as these gardens continue the civic role once held by the churches—offering shared space and pause. Each remains in its own way a sanctum.

Videre, 2024

Videre centres on plant portraiture as an act of sustained attention. As artist Georgia O’Keeffe observed, “Nobody sees a flower really; it is so small. We haven’t time, and to see takes time.” Using macro photography, the series brings individual plants into close focus, revealing structural detail and subtle qualities that might otherwise be overlooked. By approaching familiar subjects from less conventional viewpoints, the work encourages viewers to pause and study botanical form more carefully. Videre positions plant portraiture not only as horticultural documentation, but as a deliberate and artistic practice of seeing.

Aylett Nurseries Dahlias, 2023

Each summer, Aylett Nurseries in Hertfordshire present a display of award-winning and rare dahlias. This project documents the collection through plant portraiture, working in close proximity to capture detail, light and the distinctive forms of each variety. The series reflects the breadth of shapes, sizes and colours within the display, working to mirror the richness of the show.

Untitled, 2023

An ongoing project experimenting with alternative photography techniques. This series uses scanography - a method that uses a high-resolution scanner instead of a traditional camera to capture images. By incorporating ink and mixed media, I create abstract, textural pieces that offer a unique, painterly effect. This approach allows me to push creative boundaries and explore photography in a more experimental way.